How to write a premise for your story

P = Premise

Writing a Premise vs Concept

The premise and the concept, are not the same.

A premise is the essence of a story that unfolds based on the concept.

A concept is a story organized around a main idea or theme.

In fiction, a premise contains three things:

  1. the protagonist  an event provokes the protagonist to act (not react)
  2. the setting – where the protagonist acts on some desire with purposeful intention
  3. the problem the protagonist faces – chaos and adventure leads to resolution

A premise identifies the need and proposes a solution for the hero and implied plot . A high conceptual theme can empower the story.

The premise is a general description (foundation) of the story you plan to tell. With a premise you shape an idea into a story with a two or three sentence statement, similar to a log-line.

A premise acts a guide for the writer, helping when you get stuck, and keeping you on the path to the heart of your story. It doesn’t have to be fancy or jaw dropping but a good premise is a lifeline for the writer keeping you grounded and on track.

The premise of my short serial.

A female Texas Ranger is working in the San Antonio office. She feels the need to prove herself as capable as any of the men as she sets out to find the hacker that held her computer for ransom. Leading her on a chase across the state of Texas to catch her man.

What do you think?

For info on writing a premise check out the links below:

http://www.writermag.com/2013/09/01/how-to-structure-a-premise-for-stronger-stories/

http://www.wheresthedrama.com/loglinespremises.htm

http://www.mybooktherapy.com/articles/how-to-get-published-articles/step-6-build-your-premise/

http://www.ceauthors.com/premise.htm

http://www.storyispromise.com/wpremise.htm

http://www.be-a-better-writer.com/story-premise.html

Avoid confusing your readers

O = Orientation

Person, place and thing.

These facts are important to ground your reader. However, just help them get their bearings. Don’t belabor the point and fill your pages with fluff.

Give them enough information and descriptions that let the reader understand what’s happening, who, what, where and when.

To avoid boring your reader to death don’t fill in too much back-story, false starts, flashbacks or weather details. I know that’s a bit tricky for me too. However, remember a grounded, secure reader can enjoy the ride.

But don’t we all love to be lead down the path of a mystery? Too many details can kill the suspense.

Avoid too much sweetness

N = Nice

Are your characters too nice? Too agreeable?

Readers don’t want perfection, they prefer reality.

Readers can relate to reality.

Too much niceness can seem artificial as Sweet-n-Low and turn off your readers.

I bet your favorite and most memorable characters were flawed and sometimes down right disagreeable.

Write characters who are engaging, interesting and filled with conflict. People who are most often warring with their own nature, or good and evil.

She typed the coordinates Mac had emailed into her smart phone. As luck would have it, the perp was an eight-hour drive from San Antonio. At least he was still in Texas, that would make things easier for her but harder for the hacker. Rachel smiled as she reached into her desk drawer and retrieved her sidearm. Kindness never killed anyone but she knew what did. She didn’t get her reputation by being nice. However, she always got her man.

Getty images

Metaphorically Speaking or Writing

M= Metaphor

  • a word or phrase for one thing that is used to refer to another thing to show or suggest that they are similar
  • an object, activity, or idea that is used as a symbol of something else
  • a figure of speech where you state one thing is another thing.

A comparison unrelated or contradictory objects with at least one common characteristic. To achieve more power, use a metaphor rather than a simile. Using “like”, “than”, or “as” can water down the image but a good metaphor creates instant understanding.

Rachel paid the ransom and her mind flooded with relief when her screen returned to normal. This idiot was dumb as dirt if he felt safe. No way would she allow him to get away with attacking her.

“Mac,” Rachel said into the phone. “It worked.”

“Good, I’m on my way. Wait for me,” he said. “Rachel?”

“I can handle it. You know what they say? One riot, one Ranger or in this case one dumb hacker.”

Mac chuckled. “Yeah, but help from the Agency didn’t hurt.”

“You’re right. Thanks for the spy stuff. I’ll phone later.”

For more information on using metaphors read:

http://www.copyblogger.com/magnetic-blogging/

http://www.wisegeek.com/what-is-the-difference-between-analogy-and-metaphor.htm

http://www.westmaneditorial.com/analogy-vs-metaphor-vs-simile-whats-the-difference/

http://examples.yourdictionary.com/metaphor-examples.html 

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