Well, thanks to Shaunta Grimes I’m sending a little your way.
One piece of perfect advice that will change your life (if you let it.) By Shaunta Grimes on Medium
Happy Writing!
Well, thanks to Shaunta Grimes I’m sending a little your way.
One piece of perfect advice that will change your life (if you let it.) By Shaunta Grimes on Medium
Happy Writing!


pleasant, nice friendly, agreeable, affable, amiable, genial, personable, charming, popular, good-natured, engaging, appealing endearing convivial, congenial, simpatico, winning, delightful, enchanting, lovable, adorable, sweet, or lovely?
Recently, I just finished a book but didn’t like a single character. However, I did want the main character to succeed. This strange and bizarre book kept me captivated.
So, back to my first question, is it necessary for any or all characters to be liked by the reader?
This is an issue I’m struggling with right now. In my current WIP, I’m not sure my main character is likable. I want people to like her, emphasize with her and pull for her, but I don’t want her to come off whinny. I hate whining. Even in real life.
How do we accomplish giving characters qualities that a reader can relate to, but still see their faults?
And does every character need to have likable attributes? What about the bad guys? Do they need a few redeeming characteristics? 
See I have lots of questions and only a few answers. So jump right in and help a writer out in the comments.
Okay, here’s what I’ve figured out so far.
Do you write the likable characteristics of a character in the first draft, Or do you add those traits in the second draft?
10 Methods to Make Your Character Likable
What Makes a Character Likable?
Whether you believe this cliché or not, eyes are important. How you describe the eyes of a character can reveal a lot to the reader.
“Eyes that sparkled like sapphires glanced my way.”
This sentence tells us only that the person is blue-eyed.
BUT…
“Cold, blue eyes locked with mine. A chill rippled down my spine.”
Tells us the character has blue eyes and may be dangerous.
“Her blue gaze froze me in place.”
Lets us know the character is a woman and she ain’t happy.
“Lines crinkled at the corners of her sapphire eyes as they danced with mischief.”
This last one, again indicates the character is a woman and she may be laughing at or with another character.
If a body part is as important as William Shakespeare contended, we need to make certain our readers see into the heart of our characters. Through their eyes.
Thanks to Chris, my favorite Ape for directing me to a great blog post with terrific examples on how to bring a character to life through their eyes.
Beginning, Middle, and End.
Okay, but what makes up those three pieces?
We can’t simply write:
No one would buy that story because it’s not a story.
How do we cut it into bite-size, swallowable pieces? After all, none of us wants to choke on our own words. 
Once again, better writers than I prevail. Thanks to over at The Creative Penn for sharing the solution by author Michaelbrent Collings. 
In his post, Mr. Collings breaks down the three parts of a story and how to apply them in very simple terms. So simple even I got it. LOL
Beginning: Starts with a wish/dream for something or someone.
Middle: The Desire
End: The Achievement
Be sure and click on this link and read the entire article…
Talk to me…
Did you learn anything new about story structure?
Did you find he simplified the writing process a bit?
Got any tips to share with me about keeping writing simple?