Writing a Better Hook

Writing a good hook is not as easy as it may sound.

Every writer wants to grab the reader by the neck and squeeze.

I’m bad to read the first couple of pages and if I’m not hooked stop reading.

So it stands to reason, that first page or even that first paragraph is the most important part of the story.

Without a good hook, the reader moves on to another book.

H is for Hook

Want to write a great hook?

Keep reading…

Larry Brooks at the Storyfix explains how a writer should reach for a better hook.

Over at WritetoDone is a good article on writing a hook using visualization.

Write it Sideways gives 6 Ways to Hook Your Reader.

A few books that had me from page one…

Delirium (Delirium Series Book 1) [Kindle Edition] by Lauren Oliver,

Wool Omnibus Edition (Wool 1 – 5) (Silo series) [Kindle Edition] by Hugh Howey

The Memory Box [Kindle Edition] by Eva Lesko Natiello,

Outlander: A Novel (Outlander, Book 1) [Kindle Edition] by Diana Gabaldon

Share your favorite reads that grabbed you from the first page, or maybe a book that hooked you but didn’t live up to the promise.

Writing with Gerunds

G = Gerunds

Writers new and old sometimes stumble over writing with  Gerunds.

Do you know the correct way to write with Gerunds?

Not all of these “ing” Devils are bad. This is a writing tip worth repeating. A reminder that I make sure the “ing” action matches the rest of my sentence.

“Running home she flung open the front door.” Hmm… This needs work.

Want to rid your writing of a few of these scary little Gremlins?

Head over to The Kill Zone’s post titled Gerunds Be Gone, for examples for writers.

For additional help, you might want to check out editing software Grammarly Ginger and ProWritingAid. I use all three.

Ready to go Gerund hunting?

Elmer hunting

Read the post over at Writing-World. com for more help.

Click the link for more details on the  A to Z Challenge

Talk to me, I love reading your comments.

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D: Description

Blogging  A TO Z CHALLENGE

D is for Description

Doesn’t matter where you write by plot or the seat of your pants. The Devil is in the details.

For me I write in waves. First draft is with broad strokes. With each pass I add more details to the scene and characters. Soon the road through my story gets bumpy.

Turning Flat Stanley‘s into flesh and blood characters.

“Mitchel was about six feet tall, and under two-hundred pounds.” This is a generic description. I know he is tall, dark and handsome, with eyes the color of dark chocolate. He has cute love-handles that roll over his belt, which are the results of too many home-cooked meals by his new bride. But my reader doesn’t see what I see, hear what I hear, or know him very well until I reveal the picture and turn on the audio.

To introduce him to my readers, I must give him life. Somehow I must depict not just his features and statistics.

What is he doing, saying? Is he moving or standing still? For the reader to understand the character, he must live. A little bit like Dr. Frankenstein, we as writers take bits and pieces to create something from nothing.

With each draft, I add more, until fingers crossed, my characters and scenes are visible to my reader.

I want to avoid…

  • Laundry lists of descriptions. (Blond hair, blue eyes, age 45 etc.)
  • Cliches that make characters appear like caricatures.

How…

  • by combining descriptions with actions, emotions, or thoughts, allowing them to do double duty.

For help with writing descriptions check out…

The Art of Description

The Art of Dynamic Descriptions

Use Vivid Description

thankyou note card

How do you give life to your characters and scenes? Do you have all the tiny details mapped out from the beginning?

Best Writing Tips of the Week

Plotting can avoid a Saggy Middle

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This post, By Guest Blogger Margie Lawson and Darynda Jones over at Writers in the Storm might get you to rethink plotting. Click on the link below to read more.

How to Write With Your Right Brain