Are you too fast or too slow?

Your pacing, is it too fast or too slow?

Complications is a TV series on USA Networks.

When I started watching, I found the show intriguing and fast paced tension. The story is about Dr. John Ellison, a disillusioned ER doctor. He intervenes in a drive-by shooting, saving a young boy’s life and killing one of the attackers.

After a few weeks, I was exhausted.

The word complications, is defined as “a difficult or confused state caused by many interrelated factors.” That describes the show in a nut-shell. Every action taken by the main character results in a compounding reaction beyond his control.

After non-stop tension I couldn’t take it anymore. I felt as if I were trying to outrun a bunch of race cars.

The NASCAR Busch Series field at Texas Motor S...
(Photo credit: Wikipedia)

There was no down time for Dr. Ellison (main character) or his sidekick.  So, I quit watching. Not because the writing or acting wasn’t great, but because I needed breathing space to take in what was happening.

This got me to thinking more about pacing. Back in Feburary I wrote a post on the importance of pacing. But a TV show really brought the point front and center. Boy oh boy if you ever need an example of the importance of story pacing this is it.  A little of this and a little of that goes a long way.

For suggestions on story pacing check out these writers.

  • Holly Lisle gives several techniques for controlling the pace of a story. She explains that Not everyone wants a breakneck race through the pages. We all need to breathe.
  • Fiction Writers Mentor, talks about giving your story balance.
  • Fiction Factor explains how we shouldn’t let our story become a victim of lousy pacing.

Have you got this pacing thing down pat?

Let me know in the comments. Please click on the Facebook and Twitter links to pass my post on to your friends.

If you’re not already, I’d be much obliged if you would follow me @jeancogdell on Twitter or jean.cogdell on Facebook!

Are you choosing the right word?

A picture paints a thousand words, but the right words can paint an amazing picture.

In this article, Mr. Kickman explains how important it is to choose the right words to set a scene.

Sometimes I’m too succinct, too quick and too sparse leaving out too many details.

Maybe it’s from writing too many Flash stories. I’m not sure, but I do know how much I enjoy a story when the words pull me into their world.

Read the article at SouthWest Writers and let me know what you think.

WHAT THE RIGHT COMPARISON CAN DO FOR YOUR STORY

by Kirt Hickman

Let me know what you think. I’m always interested in your comments.

Please click on the Facebook and Twitter links to pass my post on to your friends.

If you’re not already, I’d be much obliged if you would follow me @jeancogdell on Twitter or jean.cogdell on Facebook!

 

Do you want to know the publishing process?

Then here are 18 steps to make it happen.

Science-Fiction, Fantasy and Horror author, Michael Cairns lists 18 steps from draft to finish.

Check out his website and see if you’ve forgotten a one.

Is your process is different or about the same?

Please click on the Facebook and Twitter links to pass my post on to your friends.

If you’re not already, I’d be much obliged if you would follow me @jeancogdell on Twitter or jean.cogdell on Facebook!

 

It’s the Little Victories

Yep, it’s those little victories that keep me writing. 

I didn’t make the top three, BUT one of my stories was SHORT LISTED!

Congratulations to my fellow writers!

Next time!

Click on the logo to read all of the entries, and maybe you’ll submit and win in the next contest!

Flash500

 

First: Six Songs by Catherine Edmunds

Second: Attrition by Emily Devane

Third: Losing the Luck by Catherine Finch

Click on the titles to read the three winning stories

 Highly Commended: The Back of Me by Jamie D Stacey

 

Short Listed Entries — in alphabetical order

A Brief Affair by PJ Stephenson

A Life Lived in Colour by Vanessa Savage

A Woman of Three Halves by Rebecca Kemp

After the Gruffs by Taria Karillion

An Uncommon Occurrence by Amanda OCallaghan

Attrition by Emily Devane

Burying the Past by Sally Rosser-Davies

First Haircut by Liz Jennings

Gretal by Carly Pluckrose-Gates

Her First Steps by Jamie D Stacey

Hold the Front Page by Alyson Hilbourne

Ivy by Dora Bona

King of the Castle by Vanessa Savage

Losing the Luck by Catherine Finch

Lost by Kate Harmond Allan

Not a problem by Nigel Tomlinson

Precious Memories  by Jean Cogdell

Secrets by Sylvia Fairley

Signs by Karen Jones

Six Songs by Catherine Edmunds

Special Needs by Sue Uden

Tears in the Sky by Jamie D Stacey

The Back of Me by Jamie D Stacey

The Selkie’s Kiss by Erin Leach

Viennese Whirls and Pineapple Creams by Safia Moore